Saturday 23 May 2009

No longer the one and only...

We have found out we are not the only black and white booth in London. Photoautomat, the Berlin based collective, have got here first. We knew that they were planning to bring one to London, but didn't think it would be so soon.

So we went to check out our competition. It is based in Cargo, a very trendy bar in Shoreditch, which is housed in 2 railway arches. It is a decent venue; it has gigs and club nights and is also open during the day for lunches. And, because it is a rather large place, I was imagining the booth to be inside. But no - turns out it is in the beer garden! Which seems to me a rather strange place to put it; the only punters in the evening are likely to be the smokers who take refuge there due to the smoking ban...

Aesthetically, they have not pushed the boat out. From the outside it is just plain blue metal, scuffed and dented. Inside, instructions are written with black marker on a piece of paper which is sellotaped to the wall. So we were keen to see what the strips were like.

(photo courtesy of Photoautomat's flickr)

But the booth wouldn't take our money!

We asked the girls at the bar - they said the technicians had come that morning to check everything was OK. But it didn't work; the coins just fell through the slot. Judging by the strips on their website, however, they are not that great - a lot of flare going on in the top left corner.

So that was that. Disappointment but also an inside feeling of smugness! Siobhan went another time with a friend and the bar was closed so they couldn't try it out. Which was wierd, as it was a Thursday night.

When I heard there may be another booth in London (which, actually, was in Chicago - Brian had received an email from Photoautomat) I felt a little upset that we could no longer claim to be the first. But now, I realise that it is a good thing there is competition. It means the British are getting a taste for these old machines again, as are, it seems, other countries in Europe. This resurgance of old processes in a digital age interests me... so more soon.

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